Kornbluth painting 1500-present

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Historical Archive: Painting 1500 to present

See also Manuscripts and, in the Medium Index, ceramics, glass, and textiles.

Mass of St. Giles, oil on panel c.1500, LNGA, which has its own page with companion panel	Piero di Cosimo, Volto Santo (Christ on the Cross), c.1500-10, MFAB 1100. This work has its own page.	4th tier of iconostasis (near top): 16th century, Novgorod Cathedral, which has its own interior page	Annunciation and Nativity triptych, enamel, frame gilt copper on wood with traces polychrome and gilding, early 16th c. Limoges, Master of the Large Foreheads, PMA 1930-1-62. For details see PMA.	Mass of St. Gregory, early 16th c., tempera on pine, Portillo Master (active Palencia 1460-1506), MFAB 85.7. For a detail see MFAB.
figures flanking center Deesis in 2nd tier iconostasis: Andrei Lavrent’ev and Ivan Derma IArtsev 1508-09, Novgorod Cathedral, which has its own interior page	Albrecht Altdorfer 1509-18, SS Margaret and Barbara, from altarpiece of St. Sebastian, Abbey of St. Florian. For a detail see St. Florian.	Albrecht Altdorfer 1509-18, Pilate washing his hands, from altarpiece of St. Sebastian, Abbey of St. Florian. For a detail see St. Florian.	Albrecht Dürer, St. Jerome 1514, SPN. For view with frame see Siena.	Defendente Ferrari, Temptation of Eve c.1520-25, tempera on panel, UMMA 1967/1.38. This work has its own page.
Shahnama of Shah Tahmasp, Iran, mid 1520s-30s, Met 1970.301. This manuscript has its own page.	Trinity, Sophia, Holy Face 1528, Novgorod Cathedral, which has its own exterior page	Jean de Court (Vigier), enamel, Baking Bread: Labor for December, 1540-60, UMMA 1977/1.168	wall paintings 1547-51, Moscow Annunciation Cathedral, which has its own page	Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: Galiot de Genouillac as St Paul, mid 16th c. Limoges, Louvre MR XIII suppl 210
Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: François I as St Thomas the Apostle, mid 16th c. Limoges, Louvre MR XIII suppl 211. For detail see Louvre.	Hermann tom Ring, Last Judgement/Triumph of Death 1550-52, oil/panel, Utrecht ABM s40. For details see Utrecht.	Léonard Limosin (attrib.), the Dauphin (future François II), enamel on copper, Limoges c.1553, Louvre N 1253	François Clouet, portrait of François de Scepeaux, oil on wood, 1566, IMA 2004.158. For portrait without frame see PMA.	Crossing the Red Sea, enamel/copper, Jean de Court 1575-85, SF 48.2. For details see SF.
John the Baptist triptych, enamel/copper, Martin Didier Pape late 16th c., SF 1952.32a-c, which has its own page	cell of Engel Wennes, painted 1593, Kloster Wienhausen, which has its own pages	on left Jacopo Ligozzi, 1595 Martyrdom of St. Dorothy, San Francesco, Pescia, which has its own page	Charlemagne gives his sword and orb to a king of France under the auspices of a Benedictine monk of St-Denis, oil on canvas, 17th c., MAHSD 83.13.01	iconostasis lower narrow strip, calendar icons 17th c.: Moscow Annunciation Cathedral, which has its own page
ex-voto of 6-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, 17th c., Hospice Comtesse Lille D962	5th (top) tier of iconostasis: Patriarchs, 17th c., Novgorod Cathedral, which has its own interior page	Augustinian in prayer, 17th c.?, Lille, Hospice Comtesse	Mother of God of the Sign (Platytéra) icon, wood/gesso/glass/metal/tempera/gilding, 17th c., Novgorod AM. For detail and scale view see Novgorod.	Battle of the Milvian Bridge, Andrea Camassei (1602/49), Lateran Baptistery, Rome, octagon. The baptistery octagon and narthex have their own interior page.
Caravaggio (Michelangelo Merisi), Deposition (Christ placed on the stone of unction), oil on canvas, 1604, Vat 40386. This work has its own page.	Alessandro Bardelli, Gloria di Angeli 1624, painting formerly surrounding Berlinghieri St. Francis (here in a copy), San Francesco, Pescia, which has its own page with Berlinghieri	St. Anthony of Padua, post 16th-c. (1624?), Sant'Apollinare Nuovo, Ravenna. This monument has its own page.	St. Bonaventure, dated 1624, Sant'Apollinare Nuovo, Ravenna. This monument has its own page.	ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1642, Lille Hospice Comtesse D962
on right St. Charles Borromeo in prayer, Rodomonte Pieri and Francesco Nardi 1642, San Francesco, Pescia, which has its own page	ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1648, Lille Hospice Comtesse D962	ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1648, Lille Hospice Comtesse D 62.1	apse, chancel paintings 1652, Gol stave church, Oslo NMCH, which has its own page	retable of St. Charlemagne, Hans Ludolff 1655, Sion, Valère basilica, which has its own interior page
Crucifixion, Juan Carreño de Miranda 1658, oil on wood, IMA 2009.377. For a detail see IMA.	Joan van Noort/Jan van Noordt, Susanna and the Elders c.1660, Utrecht RMCC s75, loan from Instituut Collectie Nederland, Amsterdam, NK 1700	Susanna and the Elders, Joan van Noort c. 1670, SF 2007.22	Ethiopian double diptych pendant, late 17th c., StLouis 12:2016, which has its own page	Charles Guillot, Carmelite nuns in the Infirmary, oil on canvas 18th c., MAHSD
Arnould de Vuez, Faith 1704 on left, Lille Hospice Comtesse, which has its own page.	Giuseppe Bartolini 1704, St. Cassian blesses Imola, oil/canvas, Imola	Hercules and Omphale, François Boucher 1732-34, Pushkin Ж 2764	Jupiter (as Diana) and Callisto?, François Boucher 1744, Pushkin Ж 733. For scale see Pushkin.	iconostasis highest tier 1770s, Moscow Annunciation Cathedral, which has its own page
miniature portrait of Catherine the Great, late 18th c. Russia, MAAB	miniature portrait of Empress Josephine, D. Saint 1805-06, MAAB	Thomas Couture, Baron Paul Pérignon c.1850, oil on canvas, UMMA 1965/2.66	Brébar 1853: arms of donors on vault of chapel, Lille, Hospice Comtesse. For additional views see l’Hospice Comtesse.	Frederick Sandys 1860, Portrait of a Lady, prob. Anne Simms Reeve, oil on panel, UMMA 1987/1.158. For a detail see UMMA.
Lawrence Alma-Tadema 1866, Vespasian hearing of the taking of Jerusalem, oil on panel in original frame, UMMA 2004/2.143. This work has its own page.	Thomas Eakins, Crucifixion 1880, oil on canvas, PMA 1929-184-24. For details see PMA.	Nativity in lunette 1882-95, Moscow Annunciation Cathedral, which has its own page	wall paintings P.A. Safonov and shop, late 19th c., Novgorod Cathedral, which has its own interior page	Edvard Munch, Mermaid 1896, oil on canvas shaped for space under rafters, PMA 2003-1-1. For detail see PMA.
Amleto Montevecchi, Mrs. Bernagozzi 1920, aquarelle, Imola 301	Joseph Bohland, nave ceiling Tree of Jesse, eastern end remade 1959-60, St. Michael's, Hildesheim, which has its own pages	Chang Ku-nien (1906–1987), Lone Rooster Summons the Spring, 1981, ink and color on paper, UMMA 2006/1.112. Art object copyright: artist/heirs.