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Historical Archive: 17th century, datable within century Hunting horn assoc. Henry IV of Navarre, ivory, France late 16th-early 17th c., Belgrade MAA 541. For other views see Belgrade MAA. Entombment (dead Christ tended by angels), wood and paint, Navarrese sculptor c.1600, MFAB 83.1 Nephrite terrapin, Mughal India c.1600, Allahabad, BM 1830,0612.1. This work has its own page. pew of King Christian IV c.1600, Roskilde cathedral, which has its own page Great Chandelier of c.1600, recreated from fragments in 1970s, Novgorod Cathedral, which has its own interior page Caravaggio (Michelangelo Merisi), Deposition (Christ placed on the stone of unction), oil on canvas, 1604, Vat 40386. This work has its own page. Altneuschul, Prague, west annex early 17th c. This work has its own pages. powder horn of Henry IV of France, antler and iron, early 17th c. France, Louvre inv. P480 503 B. For another view see Louvre museum. Christ child as mariner on ship of salvation, based on Italian print. Portuguese India, early 17th c., BM 1959,0721.1 Stigmatization of St. Francis, tapestry, c.1600-50, Ypres, which has its own page Welcome glass (Humpen) of Thomas v. Sanitz zu Brausfelde Erbesessin, Germany 1616, CMA 1948.233. For other views see CMA. memorial for Ernst von Langlingen and Ilse von Lathusen, 1617, Kloster Wienhausen/parish church, which has its own page Chapel of Christian IV, Lorenz Steenwinckel c.1620, Roskilde cathedral, which has its own page ostrich egg cup with cover, J. Lencker I, Augsburg 1620-25, MAAB. For other views see MAAB. baptismal font with 1621 wood cover, Sion Cathedral, chapel of the ossuary, c.1500-25. The cathedral has its own page. Sion Cathedral pulpit, Hans Georg Miller and Balthasar Megelin, 1622-26. For additional views see Sion Cathedral. St. Bonaventure, painting dated 1624, Sant'Apollinare Nuovo, Ravenna. This monument has its own page with St. Anthony of Padua. Alessandro Bardelli, Gloria di Angeli 1624, painting formerly surrounding Berlinghieri St. Francis (here in a copy), San Francesco, Pescia, which has its own page with Berlinghieri fur chasuble, 1627, used around Hol in Buskerud high mountains, Bergen silver portal lamp 1628, Moscow Annunciation Cathedral, which has its own page Bernini dome and other elements for Urban VIII, 1630-33, Lateran Baptistery, Rome. The baptistery octagon and narthex have their own interior page. Battle of the Milvian Bridge, Andrea Camassei (1602/49), Lateran Baptistery, Rome. The baptistery octagon and narthex have their own interior page. ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1642, Lille Hospice Comtesse D962 on right Serponti altar with St. Charles Borromeo in prayer, Rodomonte Pieri and Francesco Nardi 1642, San Francesco, Pescia, which has its own page Chinese rock crystal ball, Qing Dynasty 1644-1911, on Japanese silver stand 1900-50, PMA 1944-20-2a,b. For another view see PMA. bronze font cover by Ciro Ferri (1634-89), Lateran Baptistery, Rome. The baptistery octagon and narthex have their own interior page. Paris, St. Julien le Pauvre, mid 17th-c. facade. This work has its own page. ex-voto of 3-year-old from chapel of Notre-Dame d’Assistance, oil on canvas, dated 1648, Lille Hospice Comtesse D 62.1. For another of same date see l’Hospice Comtesse. Lille, Hospice Comtesse, 1650 wing designed by Julien Destrée, 1724 wing on right. For additional views see l’Hospice Comtesse. pulpit c.1650, church at Jelling, which has its own page standing cross, boxwood with pearls and glass, Greece c.1650-1800, UMMA 1961/1.177. This work has its own page. apse, chancel paintings 1652, Gol stave church, Oslo NMCH, which has its own page Lille, Hospice Comtesse, chapel 1652-57. For additional views see l’Hospice Comtesse. Altar of St. Charlemagne, retable Hans Ludolff 1655, Sion, Valère basilica, which has its own interior page coconut shell cup, Johann Leonhard Hahn 1656, LMM 74/34. For detail see LMM. Crucifixion, Juan Carreño de Miranda 1658, oil on wood, IMA 2009.377. For inscription see IMA. infant Hercules attacked by snake, ivory c.1660, Master of the Martyrdom of Saint Sebastian, SF 52.6.4. For other views see SF. Joan van Noort/Jan van Noordt, Susanna and the Elders c.1660, Utrecht RMCC s75, loan from Instituut Collectie Nederland, Amsterdam, NK 1700 1663 James Clement wooden font cover with 1846 baptismal font, Durham Cathedral, which has its own pages with Clement 1665 choir stalls Aachen cathedral, dome of octagon 1664. The cathedral has its own pages. Caudle cup with Charles II of England, tin-glazed earthenware, Lambeth Potteries 1668, AIC 1957.448 Susanna and the Elders, Joan van Noort c. 1670, SF 2007.22 Nicolas Jean Ryss, 1673 repoussé on Altheus Reliquary 772-814, Diocesan Museum Sion. This work has its own page. Model for casting bronze angel, iron/wicker/clay/straw, Gian Lorenzo Bernini 1673, Vat 6561, which has its own page main altar and Ceva memorials, 1673-99: F Borromini, C Rainaldi, P Naldini, C Francelli. Lateran Baptistery, Rome. This chapel has its own interior page. St. Jonah, metropolitan of Moscow, wood and tempera shrine cover from Cathedral of the Assumption, c.1675-1700, KremlinArch. For detail see KremlinArch. covered cup with allegory of Africa, zebu horn, circle of Georg Pfründt c.1680, KGM K 3429, which has its own page arcade with 1681 marble revetment (Jean-Baptiste Tuby, on Charles LeBrun design), St. Séverin, Paris, which has its own page. Sion Cathedral, Chapel of St. Anthony the Great with 1683 altar. This building has its own page. Simon Ushakov, Mandylion over entry late 17th c., Moscow Annunciation Cathedral, which has its own page Ethiopian double diptych pendant, late 17th c., StLouis 12:2016, which has its own page palla (pall), silk/gold, late 17th c., WienMus Saint Rainerius reliquary, relics translated 1689, Pisa cathedral, which has its own pages Pelican in her Piety, dish with initials of William III of England, lead-glazed earthenware, Staffordshire Potteries 1690-1710, AIC 1959.55. For other views see AIC. Medusa, oak and iron, 1691, Lille Hospice Comtesse ML 35 nave vault 1694 (supports and rafters medieval), Gol stave church, Oslo NMCH, which has its own page