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Historical Archive: 16th century: early century to c.1530 and first half bowl base with hare, ceramic, Mamluk Sultanabad, Iran, 1252-1517, KM 1965.03.0044 Sens, Cathedral of Saint Étienne, south transept, 1490-1517. This work has its own exterior page. King Henry VI (Henry of Windsor, as saint?) with orb and scepter, antelope at feet, late 15th-early 16th c., lead alloy, MoL 97.22 St. Barbara reliquary pendant, France or Netherlands 1495-1505, gold and enamel, AIC 1938.1179 St. Séverin, Paris, side chapel, 1498-1540. This work has its own page. John the Baptist fasting, stained glass from St. Pierre du Châtel, Rouen, Master of the Life of John the Baptist, early 16th c., PMA 1929-131-1. For detail and companion panels see PMA. Annunciation and Nativity triptych, enamel, frame gilt copper on wood with traces polychrome and gilding, early 16th c. Limoges, Master of the Large Foreheads, PMA 1930-1-62. For details see PMA. Mass of St. Gregory, early 16th c., tempera on pine, Portillo Master (active Palencia 1460-1506), MFAB 85.7. For a detail see MFAB. Annunciation and Arma Christi, wood rosary bead, south Low Countries, early 16th c., Cluny: Louvre OA347. For another view see Louvre. frame France or Italy, early 16th c., gold, enamel, pearl; for agate cameo of Emperor Tiberius, 14-37 CE. AIC 1992.297 internal portal early 16th c., Moscow Annunciation Cathedral, which has its own page herald's tabard, linen, early 16th c. Germany, Hermitage T-15339 Hockley reliquary pendant, wounds of Christ (lit from left), early 16th c., gold, BM 2012,8046.1. For other views see BM. platter for Head of John the Baptist, early 16th c., NaumburgCT, which has its own page St. Barbara, school of Troyes, early 16th c., Reims MSR. For detail see Reims. Piero di Cosimo, Volto Santo (Christ on the Cross), c.1500-10, MFAB 1100. This work has its own page. 3 hares window fr. Paderborn cathedral cloister, frontal, sandstone, Westphalia c.1500-20, DMP SK804. For oblique view see DMP. Sion Cathedral, chapel of the ossuary, c.1500-25; baptismal font with 1621 wood cover. This work has its own page. Hercules and Nemean lion, 1500-25, fossil coral cameo (stellaria stone), Florence MA 15891 inscriptions, polychrome in Naumburg cathedral west choir, c.1500-25, which has its own page St. Catherine, limestone, school of Troyes, c.1500-25, Reims MSR D.978.31013. For detail see Reims. St. Genevieve, limestone, school of Troyes, c.1500-25 , Reims MSR D.978.31016. For other views see Reims. St. Mary of Egypt w. loaves of bread, limestone, c.1500-25 Champagne, Reims MSR D.978.31015 oak altarpiece 1500-25, St. Michael's, Hildesheim, which has its own pages pea-pod prayer beads, boxwood, Adam Dircksz workshop, c.1500-35, KGM F 2497. For other views see Berlin. Iphigenia, Orestes, and Pylades in Tauris or Ulysses and Diomedes seizing Palladion, prob. c.1500-50, sardonyx cameo in 16th-c. gold and enamel mount, Florence MA 14468 Cross fr. Red Field Monastery, wood, c.1500-50, which has its own page Adam and Eve plate, cast brass, Germany c.1500-50, Belgrade MAA 6216. For oblique view see Belgrade MAA. Wittenberg University seal matrix: Elector Friedrich III. of Saxony, silver, 1502, SMBMünz 18239333 Saint Stephen, polychromed wood, Tilman Riemenschneider 1502-1510, CMA 1959.43. For another view see CMA. saints by Henry Duzen 1505, Nef of St. Ursula, gold/silver gilt/copper/enamel, which has its own page Giuseppe Stagi, Francesco Mosca, Lorenzi Stoldo 1505-c.1577: south transept chapel, Pisa cathedral, which has its own pages St. Luke painting Virgin fr. church St. Mary Magdalene Wrocław, limewood c.1506, Jakob Beinhart (fl. Wrocław 1483-1525), MNW Śr. 15. This work has its own page. Processional cross, silver? attributed to Jos. Som of Ueberlingen (1506-63), Freiburg im Breisgau, Münster treasury. For center gem see Carolingian gems. Chartres cathedral, northwest tower spire Jean Texier/Jehan de Beauce 1507-1513. For context see Chartres. figures flanking center Deesis in 2nd tier iconostasis: Andrei Lavrent’ev and Ivan Derma IArtsev 1508-09, Novgorod Cathedral, which has its own interior page St. George and the dragon, marble, Michel Colombe 1509-10; frame prob. Jerome Pacherot, Jean Chersalle, Bertrand de Meynal. Louvre MR 1645. This work has its own page. Albrecht Altdorfer 1509-18, SS Margaret and Barbara, from altarpiece of St. Sebastian, Abbey of St. Florian. For a detail see Sankt Florian. Albrecht Altdorfer 1509-18, Pilate washing his hands, from altarpiece of St. Sebastian, Abbey of St. Florian. For a detail see Sankt Florian. woman shamed for infidelity, faience, Deruta 1510 (Giovanni Maria Vasaro?), Louvre OA 9205 Holy Kindred with Emerentia (mother of Anna, Emerentia Selbviert) from Badersleben, polychromed wood, Thuringia or Saxony c.1510, loan from St. Peter and Paul, Badersleben, DMP SK71. For other views see DMP. Triptych of St. Stanislaus the Bishop (d.1079) from church in Pławno, painted and gilt limewood, Krakow c.1510-20, MNW Śr. 18. This work has its own page. Death riding a lion, wood, 1513, from a clock with moving figures at Kloster Heilsbronn, BNM MA3450 octagon ambulatory wooden ceiling of Leo X (1513-27), Lateran Baptistery, Rome. The baptistery octagon and narthex have their own interior page. Albrecht Dürer, St. Jerome 1514, SPN. For view with frame see Siena. Chartres cathedral, chancel screen Jean Texier/Jehan de Beauce 1514-29; 1526 astronomical clock. For more views see Chartres. Saint Adrian of Nicomedia, wood and polychrome, Flemish c.1515, IMA 45.8. For additional views see IMA. Sens, Cathedral of Saint Étienne, north transept windows, Jean Hympe the elder and the younger and Tassin Gassot, c.1515-19. This work has its own page. Maximilian I, silver 3 Guldiner, Antwerp 1517 (dated 1509), SMBMünz 18203549 Esther before Ahasuerus, stained glass, Lucas van Leyden 1518, CMA 1925.29 memorial brass of Jane Agmondeshan 1519, Ewell, Bourne Hall Museum altar 1519, Kloster Wienhausen nuns' choir, which has its own page Spinning/reading, wool/silk tapestry, c.1520, Cluny Cl. 2182. For scale and details see Cluny. Good Thief (Dysmas) from a Crucifixion, walnut, School of Kalkar (Germany) c.1520, UMMA 1976/1.233. This work has its own page. Defendente Ferrari, Temptation of Eve c.1520-25, tempera on panel, UMMA 1967/1.38. This work has its own page. Shahnama of Shah Tahmasp, Iran, mid 1520s-30s, Met 1970.301. This manuscript has its own page. Virgin and Child (wood?), Jan van Steffeswert 1524, with later clouds and beams, Aachen cathedral choir. The cathedral has its own pages. Meerbeck carver, Passion c.1525-30, North Paradise, Cathedral, Hildesheim, which has its own pages with details monster heraldic support from Mainz Marktbrunnen, sandstone, 1526, LMM. For another view see LMM. Trinity, Sophia, Holy Face 1528, Novgorod Cathedral, which has its own exterior page Giovanni Bernardi da Castelbolognese, medal obverse: Pope Clement VII de'Medici, gilt bronze 1529-30, UCh 1977.117. For reverse see UCh.