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Historical Archive: 16th century: c.1530 to end century Lucretia, stained glass, circle of Master of the "Kanis Triptych", Netherlandish c.1530, CMA 1951.335. For detail see CMA. Judgment of Solomon, stained glass, Dierick Vellert, Netherlandish c.1530, CMA 1968.188 Death, alabaster c.1530, from the Cemetery of the Innocents, Paris; Louvre R.F. 2625. This work has its own page. Palmesel, wood, Swabia c.1530, SMBByz 7710, which has its own page Passion scenes, poss. Arnt van Tricht, oak predella fr. Kalkar c.1530-40, Schn A859. For detail see Schn. Corpus Christi flask, mold blown and free blown glass, c.1530-50, LMM 58/11. For other views see LMM. tabernacle 1533, repainted 1626, Sion, Valère basilica, which has its own interior page marquetry on archiepiscopal throne, Giovanni Battista del Cervelliera 1536, int. Pisa cathedral, which has its own pages Apocalypse medal, Hans Reinhart the Elder 1539, silver, Pushkin Bec 54, 13r Lucretia, Majolica platter (coppa amatoria) c.1540, Casteldurante workshop, Arezzo MS Jean de Court (Vigier), enamel, Baking Bread: Labor for December, 1540-60, UMMA 1977/1.168 tomb of Bede 1542, Galilee, Durham Cathedral, which has its own pages Woman clothed with the sun: silver Taler, Goslar 1542, SMBMünz 18202042 Giovanni Bernardi, Christ before Pilate, obverse, intaglio rock crystal in gold with enamel and gems, c.1547, WAM 41.240. For reverse and detail see Walters. grave marker of Nicolas de Bonont and his wife and 15 children with Crucifixion, 1547, St. Séverin, Paris, which has its own page. wall paintings 1547-51, Moscow Annunciation Cathedral, which has its own page seal matrix for the Royal Hospital of St Katharine-by-the-Tower and the Royal seal for Ecclesiastical Causes, copper alloy, 1548, MoL A11011 Dorothea of Denmark (d.1547), duchess of Brandenburg-Ansbach, alabaster, Cornelis (II) Floris De Vriendt 1549, Pushkin CK550. For profile view see Pushkin. Léonard Limosin (attrib.), enamel on copper from Feuillantines convent (Paris), repeating Chartres composition: François I as St Thomas the Apostle, mid 16th c. Limoges, Louvre MR XIII suppl 211. For detail and companion Galiot de Genouillac as St Paul see Louvre. left: east wing c.1550, Kloster Wienhausen, which has its own pages Léonard Limosin (attrib.), the Dauphin (future François II), enamel on copper, Limoges c.1553, Louvre N 1253 Synaxis of Mary, mid 16th c., Moscow Annunciation Cathedral, which has its own page Jean de Court (Vigier), enamel, Baking Bread: Labor for December, 1540-60, UMMA 1977/1.168 frieze and architrave, 1550-75, Moscow Annunciation Cathedral, which has its own page skull, rock crystal, Italy, probably c.1550-1600, Louvre MR 327. For another view see Louvre. Chapel of the Immaculate Conception c.1550-1600, San Francesco, Pescia, which has its own page partial grave stone c.1550-1600, Kloster Wienhausen/parish church, which has its own page Hermann tom Ring, Last Judgement/Triumph of Death 1550-52, oil/panel, Utrecht ABM s40. For details see Utrecht. faience platter with Adam and Eve after Bernard Salomon, c.1555, Rimini?, Louvre OA 1555 monument for heart of François II (lower right), Primaticcio 1560, Saint-Denis basilica pew of Archbishop Pimen, 1560, Novgorod Cathedral, which has its own interior page Francesco Mosca, Lorenzi Stoldo di Gino marble, metalwork Luca D'andrea: Coronation of the Virgin 1565-83, int. Pisa cathedral, which has its own pages François Clouet, portrait of François de Scepeaux, oil on wood, 1566, IMA 2004.158. For frame see IMA. Welcome glass (Humpen) of Magdeburg Cathedral with St. Maurice, Germany 1568, CMA 1948.232. For another view see CMA. marriage chest (cassone) with river god, wood, Italy last third of 16th c., MAAB porch and entry 1570, Moscow Annunciation Cathedral, which has its own page musical automaton in the form of a male saint, court of Charles V (J. Turriano?), Madrid 1570-80, MAAB. For detail see MAAB. 1573 wooden ceiling, Lateran Baptistery narthex, Rome. The baptistery octagon and narthex have their own interior page. Altar: large marble table 1573, in Ravenna, Orthodox baptistery, which has its own pages. 1574 inscription, Nef of St. Ursula, gold/silver gilt/copper/enamel, which has its own page Germain Pilon (1540-90), bronze medallion of Catherine de' Medici, Paris c.1575, Louvre MRR 313 Crossing the Red Sea, enamel/copper, Jean de Court 1575-85, SF 48.2. For details see SF. setting with enamel 1575-1600, Vienna Gonzaga cameo 278-69 BCE, KHM IXa 81 astronomical clock, C. Fredenberck, Augsburg 1577, MAAB. For other views see MAAB. memorial brass of Dorothy Taylare/Taylard, d.1577, and children, Ewell on right Buonvincini altar 1577, San Francesco, Pescia, which has its own page flagon in the form of an owl, silver gilt?, U. Sautter, Ulm 1580s, MAAB. For other views see MAAB. Vincenzo Possanti, 1584 bronze chandelier "of Galileo", Pisa cathedral, which has its own pages with detail ring with watch and Crucifixion triptych with instruments of the Passion, Jakob Weiss, gold and enamel, c.1585, IMA 73.70.93. For other views see IMA. frame, Italy, late 16th c.: gold, pearls, enamel; for agate cameo Emperor Claudius as Jupiter, agate cameo 41-54 CE. AIC 1991.375. For profile view see AIC. John the Baptist triptych, enamel/copper, Martin Didier Pape late 16th c., SF 1952.32a-c, which has its own page Hunting horn assoc. Henry IV of Navarre, ivory, France late 16th-early 17th c., Belgrade MAA 541. For other views see Belgrade MAA. sea horse, nautilus shell and metalwork, E. Geyer, Leipzig 1590s, MAAB. For detail see MAAB. cell of Engel Wennes, painted 1593, Kloster Wienhausen, which has its own pages with details on left Jacopo Ligozzi, 1595 Martyrdom of St. Dorothy, San Francesco, Pescia, which has its own page coffered ceiling, design 1596, Pisa cathedral, which has its own pages Crucifixion, Gaspar Núñez Delgado 1599; ivory, ebony, mahogany, silver, and polychrome, IMA 1995.24. For other views see IMA. grave stone of Frau von Meltzing d. Sept. 14, 1599, Kloster Wienhausen/parish church, which has its own page with details